As I learn about my father….
His passion for music begs me to dig deeper into who he was with regard to all of his musical choices. The below mentioned piece is amazing. It was his all time favorite. I now see why, as it is talking about love and the powerful choices we make when falling
http://www.youtube.com/watch?v=VATmgtmR5o4
From Wikipedia:
Context and musical analysis
In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot's prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, "Il mio nome non sai!") If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed.
As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot's heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot:
"Nessun dorma! Nessun dorma! Tu pure, o Principessa, nella tua fredda stanza, guardi le stelle che tremano d'amore, e di speranza!"
(English translation: "None shall sleep! None shall sleep! Even you, O Princess, in your cold bedroom, watch the stars that tremble with love and with hope!")
"Ma il mio mistero è chiuso in me; il nome mio nessun saprà! No, No! Sulla tua bocca lo dirò quando la luce splenderà!"
("But my secret is hidden within me; none will know my name! No, no! On your mouth I will say it when the light shines!")
"Ed il mio bacio scioglierà il silenzio che ti fa mia!"
("And my kiss will dissolve the silence that makes you mine!")
Just before the climactic end of the aria, a chorus of women is heard singing in the distance:
"Il nome suo nessun saprà... E noi dovrem, ahimè, morir, morir!"
("No one will know his name... and we will have to, alas, die, die!")
Calaf, now certain of victory, sings:
"Dilegua, o notte! Tramontate, stelle! Tramontate, stelle! All'alba vincerò! Vincerò! Vincerò!"
("Vanish, o night! Set, stars! Set, stars! At dawn, I will win! I will win! I will win! ")
In performance, the final "Vincerò!" features a sustained B4,[3] followed by the final note, an A4 sustained even longer—although Puccini's score did not explicitly specify that either note be sustained.[4] In the original score, the B is written as an eighth note while the A is a quarter note. Both are high notes in the tenor range. The only recording to follow Puccini's score exactly was the very first, sung by Gina Cigna and Francesco Merli, conducted by Franco Ghione.
In Alfano's completion of Act 3, the Nessun dorma theme makes a final triumphal appearance at the end of the opera. The theme also makes a concluding reappearance in Luciano Berio's later completion (this having been an expressed intention of Puccini's), but in a more subdued orchestration.
Thank you dad for opening my eyes… Without you, my appreciation of music would never have been the same, nor as sought after. God Bless.
http://www.youtube.com/watch?v=VATmgtmR5o4
From Wikipedia:
Context and musical analysis
In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot's prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, "Il mio nome non sai!") If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed.
As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot's heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot:
"Nessun dorma! Nessun dorma! Tu pure, o Principessa, nella tua fredda stanza, guardi le stelle che tremano d'amore, e di speranza!"
(English translation: "None shall sleep! None shall sleep! Even you, O Princess, in your cold bedroom, watch the stars that tremble with love and with hope!")
"Ma il mio mistero è chiuso in me; il nome mio nessun saprà! No, No! Sulla tua bocca lo dirò quando la luce splenderà!"
("But my secret is hidden within me; none will know my name! No, no! On your mouth I will say it when the light shines!")
"Ed il mio bacio scioglierà il silenzio che ti fa mia!"
("And my kiss will dissolve the silence that makes you mine!")
Just before the climactic end of the aria, a chorus of women is heard singing in the distance:
"Il nome suo nessun saprà... E noi dovrem, ahimè, morir, morir!"
("No one will know his name... and we will have to, alas, die, die!")
Calaf, now certain of victory, sings:
"Dilegua, o notte! Tramontate, stelle! Tramontate, stelle! All'alba vincerò! Vincerò! Vincerò!"
("Vanish, o night! Set, stars! Set, stars! At dawn, I will win! I will win! I will win! ")
In performance, the final "Vincerò!" features a sustained B4,[3] followed by the final note, an A4 sustained even longer—although Puccini's score did not explicitly specify that either note be sustained.[4] In the original score, the B is written as an eighth note while the A is a quarter note. Both are high notes in the tenor range. The only recording to follow Puccini's score exactly was the very first, sung by Gina Cigna and Francesco Merli, conducted by Franco Ghione.
In Alfano's completion of Act 3, the Nessun dorma theme makes a final triumphal appearance at the end of the opera. The theme also makes a concluding reappearance in Luciano Berio's later completion (this having been an expressed intention of Puccini's), but in a more subdued orchestration.
Thank you dad for opening my eyes… Without you, my appreciation of music would never have been the same, nor as sought after. God Bless.
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